The Passion of Camille Claudel and Auguste Rodin
A story of lust like no other set in Victorian France.
Camille Claudel: The Way It All Started
Camille Claudel was born into a battle she never asked for. Her mother’s disappointment in her—a daughter when only a son would do—was no secret. “You were supposed to be my Claude,” Madame Claudel would remind her, voice dripping with disdain.
Her father, however, saw something special. Where others saw rebellion, he saw resilience. Where her mother saw a disgrace, he saw potential. One evening, as Camille shaped figures from the clay she loved more than anything, he proposed a bold idea: her sculptures should be shown to a master at Academie Colarossi—Alfred Boucher. Madame Claudel scoffed at the notion, but grudgingly agreed.
That meeting was the first real spark of Camille’s destiny. Enthralled by her raw talent and passion, Boucher offered to mentor her. For the first time, Camille felt seen—not as a disappointment or a curiosity, but as an artist.
A Society That Refused to Bend
Camille's apprenticeship began in earnest during the 1860s. She immersed herself in a world of visionaries and opportunists, the talented and the pretenders. Her sculptures began to speak for her, revealing a depth and sensitivity that couldn’t be ignored.
Yet Camille’s beauty and quiet intensity drew more than admiration. Boucher, her mentor, fell silently and deeply in love with her. When it became clear that his feelings were not returned, the weight of unspoken longing drove him to leave. Before he departed, he turned to his friend, Auguste Rodin.
“She’s extraordinary,” he told Rodin. “She needs a master, but more than that, she needs freedom.”
Rodin agreed to take her under his wing, though he could never have foreseen how their paths would intertwine.
A Romance Like No Other
Rodin was a man of contradictions: commanding yet soft-spoken, brilliant but brooding. The air between them seemed charged from the moment Camille entered his studio. At first, she was hesitant—another man in a long line of people who thought they knew what was best for her. But Rodin wasn’t like the others.
Their partnership ignited a creative fire. She became his model, then his muse, and finally his lover. Their connection, both artistic and physical, was unstoppable. Days of sculpting would blur into nights of passion, their shared intensity spilling over into every aspect of their lives.
But their differences ran deep. Camille’s independence clashed with Rodin’s dominance. Where he sought control, she demanded freedom. Her mastery of marble, a medium he struggled with, became a silent battleground. Their love, once all-consuming, began to crack under the weight of unspoken frustrations.
When Camille finally ended the affair, Rodin was blindsided. Her decision was final, and he was left to grapple with his bruised ego and broken heart.
After the Storm
Rodin’s anger turned vindictive. His influence in the art world was unparalleled, and it didn’t take much to push Camille to the fringes. Exhibitions dried up. Commissions vanished. The doors of opportunity, once open to her, slammed shut.
Camille retreated into solitude, pouring everything she had into her work. But isolation took its toll. She was destitute, blacklisted, and increasingly paranoid. At times, she thought she heard his voice in the shadows. At others, she was sure he was behind every setback.
For Rodin, the silence was unbearable. Memories of Camille haunted him. He saw her face in every crowd and heard her laughter in empty rooms. He visited her home, begging her to talk to him, but she refused. Once, she unleashed her dogs on him, their snarling barks a final warning.
Still, he came back. Again and again.
Camille, meanwhile, saw no way forward. She was trapped, her once-bright future reduced to darkness. But she wasn’t ready to give up—not yet.
One cold afternoon, she walked back into the Academy. Rodin was there, his back turned as he worked on a sculpture. The piece was almost luminous, capturing a quiet strength that felt achingly familiar.
“Do I know her?” Camille asked, her voice barely above a whisper.
Rodin turned slowly, his eyes meeting hers. For a moment, the weight of the past hung between them.
“You should recognize her,” he said softly. “It’s you.”
Camille blinked, her breath catching in her throat.
Rodin set down his tools, taking a hesitant step toward her. “Welcome back.”
(End of Part 1 of 2)
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Until we meet again,
Peace and Light. 🗽💜
René
Like many talented artists, Camille Claudel died in obscurity, her marble sculptures recognized only long after her death. Whether or not she had a touch of madness is less important than her ability to see.
Musée Rodin is a ‘must’. There are lots of Claudel’s pieces there.
Also the 1988 film ‘Camille Claudel’ is a much better account of her life and her relationship with Rodin than the 2017 film ‘Rodin’.